movie chat deja vu

Movie Chat: Deja Vu

Deja Vu

Note: There are some mild spoilers here. I don't give away the

specifics, but if you don't know anything about this movie other than

that it is a techno-thriller with Denzel Washington and if you are

interested in watching it - don't read on. FWIW, I knew very little

about this movie before watching it, which was probably a good thing.

If you're on the fence about whether or not you wanted to see it, what

I have to say below probably won't help any. I thought it was okay,

but I really wouldn't recommend it to anyone. I mean, if your

boyfriend/girlfriend/husband/wife really wanted to watch it, you might

as well humour them - it certainly wasn't painful to sit through. But

no need to go out of your way.

My guess is that if David Cronenberg's name was on this movie (i.e.,

if it were the exact same movie otherwise), film critics might have

gone into overdrive praising its dissection of the way digital

technology has affected the way we deal with the past and the way we

relate to each other. Luckily, Tony Scott's name is on it, so we can

easily see it for what it is: a thriller that is just barely good

enough for the kind of thing it is that you don't feel like you

completely wasted two hours of your life watching it.

There are two main problems with the movie.

1. This may be one of those bug/feature things, but it seems like the

premise of the movie grew out new digital filmmaking technology

that allows filmmaker's to do all sorts of crazy swooshes and

zooms: where the "camera" is no longer something moving through

and capturing images of "reality" and is, instead, a our p.o.v.

into a digitally created world. On the one hand, it's nice to see

an effects-heavy movie where the signature effects actually have

some thematic weight*. On the other hand, the movies feels like it

was built around this effect rather than the other way around. It

stops dead in its track for the big scene where the filmmakers get

to show it off. And, unfortunately, the way they show it off isn't

really all that clever or engaging.

2. The bigger problem is that while watching it I couldn't help

thinking of similar, better movies. Ugh - I know, I know: the

title makes it almost impossible for a film critic not to say

something like this, but it's true! Deja Vu is dumber than Primer

and doesn't have the emotional depth of Twelve Monkeys.

Maybe it's all relative, though: compared to many action-thrillers,

this might come off like Vertigo. Denzel is pretty good, even he's not

doing anything new (which I guess is kind of a bummer after how

exciting he was to watch in Inside Man).

Hmmmm... I'm so "meh" about this movie it's kind of depressing. I

mean, in lots of ways it's better than you're standard Michael Bay

fare, but at least Bay's movies have their own personality. They're

full of lousy filmmaking and empty spectacle, but they're also kind of

quirky. I find myself rooting for something like The Island, just

because it's such a misguided idea. And, though I was bored at first

by Bad Boys II, I can do nothing else but stand up and applaud a movie

that decides to, almost out-of-nowhere, at its hour-and-a-half mark,

invade Cuba.

*As opposed to technology there for its own sake. Earlier this year, I

wondered why Monster House had been done as an animated CGI film and

came up with the unsatisfactory response: because the filmmakers could

do it that way. Likewise the new Robert Zemeckis-directed Beowulf

movie: Zemeckis seems to be in love with this motion capture

technology to the extent that he wants to use it even on projects

where it doesn't really seem to fit.